"Learn To Sing High Notes, With Power, As Easily As You Speak.... Guaranteed."....As Easily As You HUM...Guaranteed.

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Hi I'm a sixteen year old male classical and r&b singer and when my voice broke I was quite devastated and was worried I wouldn't be able to get my range back. Well thanks to your vocal release system. I have got the top of my range back and I have more power due to the breathing exercises you have in your system. I'm a natural baritone now and already had quite a wide range, but wasn't satisfied. I can hit lower than a bass E and had to hit my Tenor high C in falsetto now I can hit it and higher, easily in mixed-head voice and more powerfully in falsetto than I used to. I used to have a 3 1/2 octave range and now I'm over 4. Thank you sooo much....( After I e-mailed him to ask if I could use his e-mail on this page this was his reply)....You certainly may use my e-mail, as a testimonial. And, I also wanted to tell you that my chords have become extremely flexible now so I've been able to develop a whistle voice. I t still needs work but it will be good enough soon. I've been on your program FOR ONLY A MONTH NOW. Thanks again.

Kofi Hayford

From: Eric Frey, Professional Vocal Coach And Author of Vocal Release.

Picture yourself a year from now, singing with a voice that stuns listeners.

What if I told you that it was not only possible, but that it was guaranteed if you will purchase the, "Vocal Release At Home Singing Instruction Kit," today and follow it's detailed singing instruction?

Now, I can almost hear your mind saying, "ya right."

FACT! Most singers sing with a forced, unnatural vocal production that at some point will cause them to totally lose their voice.

There are only three ways to sing or three attacks. The, "attack," is what a singer physically does and thinks on the onset of any sung note.

Only one of them is the best and always produces the best sounding voice in any singer. The three attacks are: Diaphragmatic, Glottal, and The Attack Of The Mask.

The diaphragmatic attack was invented be a failed opera singer/vocal coach.

This attack causes registration and breaks in the voice. It leaves the voice sounding more like shouting or bellowing and strains the voice by overpowering it. Because of this unnatural vocal technique the terms of: chest voice, middle voice and head voice and breaks/bridges came about.

Quite simply, when you sing with the right attack registers and breaks don't exist, they are an invention by a bad vocal coach that has been passed down through time. So, you don't need a course that teaches you how to make it over your bridge or mix registers. You need a course that teaches you the best attack, the attack of the mask. That course is Vocal Release.

The glottal attack is what's known as, "singing from the throat."

It involves sort of coughing motion that causes the vocal cords to zip up. This attack is very dangerous and painful. The only people who really use it are bad rock singers who sound like they are screaming badly with no beauty of tone.

The attack of the mask is the best way to sing. End of Story. There can be no argument. It is how nature intended singing to occur.

Attacking the voice from the mask makes the voice as easy to use as humming. Any note from lowest bass to the highest soprano notes can be sung by using the attack of the mask. Attacking the voice from the mask eliminates registers and breaks. They simply do not exist when you sing with the attack of the mask. All notes sung are full, round and pleasantly forward.

When you watch a great singer and their voice seem to have no ceiling, it comes out effortlessly and the voice seem to resonate forward behind the nose eyes and upper pallet, that is the attack of the mask. Some singers do it naturally by instinct.

This is why some people are naturally good singers and some people struggle to sing even half as well. Without singing using the attack of the mask the voice is a struggle to use, breaks up into registers and simply doesn't sound very good. With the attack of the mask even powerful singing is as easy as humming with the mouth open.

This is also why some people think you can't learn to sing. Unfortunately most vocal coaches and no other online courses besides Vocal Release, teaches how to learn to use the attack of the mask specifically. Yes, it can be taught. But, you have to learn specific parts of your body to manipulate and exercises to instill proper voice production.

The attack of the mask does not just happen by relaxing and singing with an open throat at speech level. The attack of the mask is not, "singing in your head voice," or forcing air through your nose like honking.

Here's the bottom line... EVERYONE can learn to sing beautifully if they follow the natural laws of voice, laid out step by step in the Vocal Release Course.

Absolute Fact!
Singing is only a continuation of speech. It uses the exact same vocal organs and process.

When singers have a problem it is because they sing with the wrong attack or even speak with a bad vocal attack. Any problems with the speaking voice are amplified in the singing voice. When you hear a good singer speak the speaking voice is often very forward and resonant because they even speak with the right attack. A poor singers voice will often sound like it is produced at the back of the throat. The poor singer might even lose their voice simply by speaking for long amounts of time.

The truth of the matter is, if you learn how to sing in a way that obeys the natural laws of voice, singing is effortless and beautiful. The most natural and pleasing sounding voice is always produced using the attack of the mask. Vocal Release is the only course that teaches how to sing using the attack of the mask.

Everyone knows that the best singers sound natural even when singing loudly or hitting high notes.

Most singers, when beginning training however, indulge in unnatural vocal practices like using excessive force to attain pitch and volume because they assume great singing takes more effort and muscle.

Or even the outdated classical practice of, "strengthening the diaphragm."

Here's the truth, right now you have all the physical development of your body you need to sing. Great singers are not physically different from anyone else.

They were not born with, "stronger than average vocal cords, a powerful diaphragm, or even HUGE LUNGS."

What they do have is a sense of ease in their voice and the proper attack, the attack of the mask. Either because of proper training or natural ability, they ALLOW their voice to come out.

Any expert will agree that the human voice works it's best when it is done freely and no real effort is exerted.

That's exactly why when you watch a show like American Idol that so many of the rejected contestants (and some of the ones that get through) sound so awful.

They don't obey the natural laws of singing! They try to muscle their way through singing as if they were power lifting at the gym!

"Warning To Singers!" Singing with a vocal production that is not natural can severely damage your voice.

Let me ask you: when you sing now, is your voice sore after wards? Or, do you push large amounts of air to go up in pitch and hit high notes? Can you only sing loud and shouty?

Do you find it difficult to stay on pitch? Do you run out of breath when you sing? Are you hoarse after just singing for an hour or even fifteen minutes?

If so, stop. Your vocal production is forced and you will damage your voice with continued use.

So, after reading thus far, which makes more sense?

A:"Great singers force and struggle their way to a great voice and develop vocal muscles like a huge power lifter!!!"

B:"Great Singers are physically just like everyone else but know how to relax, let their voice come out naturally and attack the voice through the mask so it resonates effortlessly."

If A were true, very few people would be able to sing at all. Only people who were physically very strong would be able to do it.

How many singers have you heard with wide, loud ranges on shows like American Idol? How many of them looked like extremely strong bodybuilders?

None.

In fact, some of them were relatively small people who weighed barely over a hundred pounds or worse yet were morbidly obese and couldn't run a mile to save their lives.

Why do you think they can sing? Because they know how to relax, focus and direct the voice to work how it should without using excess effort. This is the attack of the mask. They either know how to sing this way because of a good vocal coach or instinctually.

That's exactly why this course exists. To teach how you can attain a natural vocal production that obeys the natural laws of voice and sing using the attack of the mask.

Voices that are trained to sing using the natural laws of voice always have: A huge range, loudness, and effortless delivery. The voice is as easy to sing with as it is to hum.

Get excited because this course will teach you very quickly, how to sing high notes powerfully with little more effort than it takes you to ~~talk~~ HUM.

Imagine what it would be like if you could have a vocal coach that teaches like this, guide your voice training every single day.

Now you can.

Announcing: "Vocal Release 2008 Edition, The Fastest Way To Learn To Sing With Ease, Power, And A Huge Range."

This Course Was Created To Unlock The Extreme Range, Power And Beauty That Every Singers Voice Can Have If Trained Properly.

See Yourself Mastering The Six Parts Of Voice And How They All Work Together

~~Vocal Fry: The part of the voice that can be used to rasp or scream without damage.~~
~~Chest Register: The bottom end of your tone. Usually the voice most people speak in. Used correctly it will add weight and solidity to your overall tone.~~
~~Middle Voice: This is what most singers call a mix. It has the qualities of both chest voice and head voice. So, not only does it have fullness and depth it also has ring or harmonic overtones.~~
~~Head Register: Pure head voice is used to sound sweet and lilting in commercial music.~~
~~Whistle Voice: Whistle voice is just what it sounds like. A voice that sounds like a whistle. It is used for stylistic purposes. It is the extreme upper range.~~
~~Falsetto: This is not a register and should not be confused with head voice. It's often used by singers that have never learned to make it through their breaks or sing high notes in full voice.~~
It's often used by pop stars that sing dance type music. It is easy to produce even with very little vocal skill. It still allows the performer to perform complicated dancing routines while they sing.
I've perfected techniques that eliminate all breaks and registers. Information about breaks and registers is included in the course for your own edification.

Imagine What It would Be Like To have A Voice That Had A Huge Amount of Power

You will learn just how important resonance is to making a great sounding tone with your voice. You will learn just how resonance effects the qualities of tone and pitch.

Resonance is the deciding factor of if your voice is fabulous or a flop. If you will purchase the, "Vocal Release At Home Singing Instruction Kit," today, you will know how to bring out and focus your resonance in any way you choose. No other course teaches the attack of the mask. Without the attack of the mask it is simply impossible to have a start quality voice.

Picture what it would be like to sing like a diva, but with total ease.

Some aspiring singers want to be like their favorite diva type singers, that is, sing with high pressure. More often than not, they don't understand the difference between high pressure singing and using an excess of force which ruins the voice.

If you will purchase the, "Vocal Release At Home Singing Instruction Course," today, you will know how to train your voice to apply high pressure singing to your voice without harm and without hurting it or limiting your range.

Imagine feeling Yourself easily able to Transition from a very low notes to super high notes, all with power and ease.

Almost all untrained singers have a very noticeable break in between chest voice and head voice. Usually, they will sing in all chest and push or just skip to head voice to avoid the break.

Pushing chest hurts your voice and sounds bad, and singing all in head voice is weak. By learning to bridge the gap, you gain access to a mixed voice that has resonant, harmonic qualities of both. This is done by learning the attack of the mask. There simply are not breaks and registers when the voice is placed strongly in the mask.

If you will purchase the, "Vocal Release At Home Singing Instruction Kit," today you will learn how to go from a very low note to a very high note with ease, in one connected commercial quality voice. The attack of the mask makes this very easy to do.

Just picture what it would be like to know you were about to sing exceptionally and in peak vocal condition before any performance.

Let me ask you, before you sing, do you wonder if you will be able to sing at your best?

When you purchase the, "Vocal Release At Home Instruction Kit," today, you will know what warm ups get your voice into peak performance condition fast. You will know before a performance that you will sound your best.

Not warming up before you sing will have the same effect that not stretching will have before sprinting. Your voice will be sore and eventually become damaged if it is not properly warmed up before a performance.

Discover how to never be out of breath while you sing, ever again.

Proper breath support is very important to voice. But, it is very often taught to be the most important thing about voice.

Not true.

Often times, classical teachings have you do things like making a huge, "Buddha belly," or forcing out lots of air for resonant placement. Or, even trying to use large amounts of excess air to produce volume and pitch.

All the above are very dangerous to a singer's voice and will produce damage if done regularly. Even the most powerful high pitch voice can be produced with very little effort from the diaphragm. Breathing needs to be natural.

When practicing with the Vocal Release Technique singing develops proper breathing. Just practicing breathing does not automatically make the voice work properly.

Yes, the diaphragm moves and pulses when you sing. What most people don't understand is that this is a reflection or reaction to a voice properly attacked through the mask. Great singers do not think about the diaphragmatic action. The attack of the mask causes breath support to be instantly balanced to what you need and stabilizes everything that happens in the larynx and vocal cords.

Purchase the, "Vocal Release At Home Singing Instruction Kit," today, to learn how to support even the longest phrases and hold notes for unbelievable amounts of time.

Stop! You may be causing real damage to your voice if you are learning to sing with the wrong techniques.

One of my personal students, "Bob Miller,"came to me for the first lesson complaining about often losing his voice and slight pain after lessons with a different vocal coach in my town.

This, "vocal coach," was, "classically trained." He was instructing Bob to use a lot of force and pressure in his, "chest voice," and trying to belt out high notes.

Bob didn't know any better. When I instructed him to go to see a throat specialist I know, Bob informed me the doctor found that Bob's vocal folds were swollen and one even had blood swell into it from singing much to forcefully.

As per doctors instructions, he could not sing for over a month and a half and had to cancel numerous very important shows.

When he came back to me for training, I had him singing easily in a 3 1/2 octave range, very loudly because of resonance, all with ease and no reoccurring damage. Bob can now sing for hours on end.

If your vocal production is wrong and have incurred vocal strain and hoarseness, the beginning part of the Vocal Release Course will release tension from your voice and put it back on track so that it can be properly trained.

If you experience any of these while singing your vocal production is bad:

Hoarseness after singing. The need to use more air and volume to attain higher pitches, shortness of breath while singing, singing is not loud enough and has no cut in frequency, listeners don't understand the words you sing, muscular tightness in the jaw and larynx, tightness in the belly because of forceful breathing.

In short, if your singing isn't as physically easy as it is for you to speak, then your vocal production is wrong and will likely hurt your voice with regular use.

Secrets Of Resonance Focus Revealed.

Resonance is the most important factor in determining if a singer's voice sounds fabulous or flat. Resonance is responsible for making the voice easily loud. Resonance makes the upper range easily accessible. It is responsible for harmonic overtones.

It can't however be forced.

Once you force it, you actually cut it off. You may have read another book on singing that stated resonance is simply an amplification of the sound the vocal cords produce and that it simply happens when you relax.

This is simply wrong. Resonance is a secondary harmonic pitch produced in the upper cavities of the head. So, the sound the vocal cords make and the Resonant pitch work harmoniously to produce the full sound of the voice. You can't do this without the attack of the mask. You can't learn the attack of the mask without knowing very specific things in your body to manipulate

Without the resonance, the attack of the mask produces a singer will be told things like, "you need to project more," or, "Your voice is very throaty."

The reason is, is that the sound the vocal cords produce on their own is a very small unmusical thing. Without the upper harmonic resonation, it's like taking the body away from a violin and just leaving the strings. The strings would make a sound if struck, but it would not sound musical at all.

If you are expecting upper harmonic resonance to happen simply because you sing with a relaxed larynx and open throat, you will never achieve it. You are missing a big part of the equation.

If you will purchase the, "Vocal Release At Home Singing Instruction Kit," today, you will learn techniques that train you how to focus and control resonance to control your tone and unleash the huge potential your voice has.

If you are singing without easily focused, upper harmonic resonance, you are literally missing 2/3rd's of your potential range/raw power/and natural volume.

Scientific Fact: The more muscle and energy you use, the less Range, Power and Volume Your Voice Will Be Capable Of.

If you learn one thing from this page, it is, that great singing always uses the least amount of effort needed for the maximum output.

Most students of voice who aspire to powerful singing, think singing is about muscle and the ability to force out a lot of air. This approach leads to voices that sound forced and have limited ranges and in extreme cases, vocal organs ruined for singing.

If you will purchase the, "Vocal Release At Home Singing Instruction Kit," today, you will learn to sing using only exactly what muscles you need. Using specialized exercises, you learn to focus on only the right muscles for your vocal production. You will learn to sing through a very wide range with power, with the same ease as you ~~talk~~ HUM.

I almost couldn't believe it. I have been working really hard to improve the quality of my voice (Your CD's really helped me) And 3 days ago while I was driving home, singing and vocalizing as I usually do for my 45 minute commute, I found a whole new section of my voice that I didn't realize I had. I mostly sing in my chest voice, it is where I have been most comfortable up to this point and I have pushed it to it's upper limits. I sing cover songs and so I have been working on few songs that were giving me trouble. You may be familiar with goodbye to you, scandal. And Steve Mcqueen, Sheryl crow. As I was singing these words I decided to experiment with positioning of my inner muscles and throat and nasal cavity. When all of a sudden there it was. I could hit the notes easily. After I realized what I had done I was trying to memorize the positioning that brought me this sound I have been looking for. and when I was able to understand myself I realized that it was not coming from my chest at all. It was coming from inside my mouth. The volume was unbelievable as compared to the attempt of the same pitch in chest voice. I read about this but could never actually do it before. And best yet there is no struggle, no squinting, no funny faces. It just comes right out. I really have my work cut out for me now. Thanks as always Eric, Hope all is well.

Janine VanLuvanee

I have never been so happy with my voice I can hit high pitches comfortably and confidently now! I'm well pleased you set up vocal release, it is just what I have been looking for! thank you once again! From Ruthie, (U.K. Customer)

Ruth Woollard

Imagine Learning How To:

Hit High Notes With Ease
Sing as easily as you talk
Sing for hours without any pain or losing your voice
Sing with a very loud resonant voice without sounding shout
Control the Tone quality of your voice through the use of Resonance
Singing in a commercial, tonal quality that you can change to suit your needs
Knowing how and why the voice works
Being in control of every part of your voice: Vocal Fry, Chest Voice, Middle Voice, Head Voice, Whistle Voice and Falsetto
Knowing how to speak in a way that improves your singing voice
Focus Resonance and control its effects on Tone and Pitch
Sing a high pressure, Diva Quality performance, but do it as easily as you speak
Glide effortlessly over your break and blend registers
Sing at your peak ability every time you perform
Hold notes for extreme amounts of time and never run out of breath when you sing
De- train a bad vocal production and undo damage from a forced vocal production or past illness
Induce and focus resonant, harmonic overtones in your voice
Sing with just the right amount of pressure, and avoid harmful excess
Sing only using the exact amount of effort you need and no more
Keep your voice in top shape so that you are ready to sing at any time
Continually improve
Train/warm-up without scales when they are not available
Trigger exact parts of your voice with trigger phrases
Warm down to cement what you have learned
Transition from vocal exercises to actually singing songs
Approach vowels and vowels within phrases of songs
Hit high powerful notes as easily as you talk
Know how your listening environment effects your voice
Use microphone technique to improve the sound of your voice
Avoid things that are damaging to your vocal health: There are important do's and don'ts that are imperative to a singers vocal health that can make a huge difference in the quality of their voice
Avoid foods that hurt a singers voice
Understand what vocal classifications really mean. Just because someone said you were a bass does NOT mean that you can't hit extremely high notes with the best of them
Develop your own personal ORIGINAL style
Cover other artists material without hurting your voice
Master the Fundamentals of singing
Avoid the pitfalls all singers have to watch out for
Sing with such Range, Power and outright skill that listeners are entranced by your voice

"You won't find this information or training in any other course. Why? Because frankly the others do it wrong or are nothing but copies of techniques the authors don't understand. Worse yet they are thrown together with a pretty cover and famous face by a marketing firm trying to make money off of American Idol's popularity"

Other courses do the wrong exercises at the wrong times and don't even know what some of the exercises are really for.

I've reviewed them all. Most are just rehashed/repackaged classical techniques.

If you will purchase the "Vocal Release At Home Singing Instruction Kit," today, not only do you get a set of specific vocal exercises that radically improve your range, power, volume and ease of singing.

You also get a very detailed 347 page reference manual that explains exactly what each exercise does and why you are doing it and why it works and exactly how to perform it.

It is explained in very plain language that anyone can understand. You will understand exactly how to train your voice to get the exact results you want.

Don't believe the hype about products thrown together to capitalize on the popularity of American Idol. If you will purchase the, "Vocal Release At Home Singing Instruction Kit," today, you have a course based on my 20 years of teaching people how to sing great who have never sung before in their lives.

This isn't a course based on the popularity of singers who were huge stars before they ever had their first vocal lesson with a, "Celebrity Vocal Coach," who is now, rehashing old techniques.

You may have another course and be wondering why you don't have a voice as great as one of the stars that used it? Because, "Celebrity Vocal Coaches," are glorified shrinks good at playing to stars already huge egos, and charging them hundreds of dollars an hour or more.

Those stars had their voice well before seeing those coaches and already accomplished fame and fortune

You want to learn how to sing YOUR best don't you?

Doesn't it make sense to train with a vocal instruction system that doesn't assume you already have a developed singing voice and can take someone from no voice to PRO VOICE???

If you will purchase the Vocal Release At Home Singing Instruction Kit today, you have a full 60 days to use it and hear and feel the results.

Eric, you are a star. Thanks for your personal help and support- it's been invaluable. Your guide is outstanding quality and it's been one of the best things I have ever bought online. May I also say that I am no newcomer to the net - check out our site at http://www.dogflea.com/ - I own and run a small team of software developers and we have made and facilitated some of the best software and sites on the net- and I mean that. The reason I say this is despite having worked with some of the bigger sites, seldom have I seen such a quality product sold online where the guy who wrote it actually gave a **** about the reader. Most so-called online guides are total ****_ trust me I have tried most of them.

Glyn

Just a short not to say how glad I am that I purchased your vocal course. I have been struggling for a while trying to get that "mix" of chest and head, I have been through many voice teachers, and none of them could give me the basic understanding of how to perform cord adduction (or that they were even aware that this is necessary!!!). Very impressed with your lessons and I see an improvement in my voice already. Thanks once again. Yours very truly, Mariam Taylor

Mariam Taylor:

Hello Eric!!! I have to say that this program really works I've developed my range more in 15 days than in 6 months working with other programs, I didn't understand what head voice was, and now I that I know I've more range than I thought just by understanding it, now I can sing fully in my head voice, also the cord adducting is incredible, it added more to my range without much effort, the changes are big.... Vocal Release is the best singing software that I've used, it works!!! Thanks.

Rene Comanalries:

Common Singing Problems That Training With Vocal Release Solves Easily:

A voice that breaks or warbles when going over the bridge.
Inability to hit high notes or sing them without force.
Lack of volume or power
A flat voice with no relaxed upper harmonics
Lack of Resonance, an inability to focus and control Resonance
Not being able to hold notes for extended periods of time
Problems with breath support
A forced vocal production that causes pain and hoarseness
Not being able to sing with ease
Inability to hit high notes
Inability to sing full low tones
Pitch problems
Pain or strain while singing
A vocal production that engages the wrong muscles and causes the larynx to rise
Lack of personal style/ sounding like a impersonator of an already famous artist
A mousy tone
A flat monotone
Eating foods that wreck your voice.
Recovery from major, voice ruining illnesses. Getting your voice back into the shape it was before you were ever sick.
Stage fright: how to deal with it and perform like you were a seasoned pro.
Voice Ruining speech patterns....How to get over a bad speaking production and talk in a way that not only makes you an interesting conversationalist, but improves your singing voice.
Lack of understanding of how the singing voice works. Let me ask you, shouldn't a singer understand exactly how the voice works? You'd laugh at a drummer or guitarist if they didn't know what the parts of their instrument were for.
Karaoke Syndrome: Some singers have learned vocal production through mimicry and get trapped in sounding EXACTLY like another already famous singer. As a result they don't know how to sing with their own original tone and style. Often they completely lose their voice if they go outside of the confines of their imitation.
Losing your one shot at a career in the music industry. It's no secret that breaking into the music industry is hard. I can't believe the number of unskilled singers that try out for shows like American Idol. Anyone can try out. But, they don't realize that by auditioning without real vocal ability, they've just ruined the one shot they will probably have at being a star in the music industry.

When you get your one shot, do you want to have supreme confidence in the ability of your voice?

If you really wanted to be a music star and reap all the rewards that came with it, you'd do everything you could to achieve a voice that would make that happen wouldn't you?

Doesn't it seem silly that so many singers would go to audition for a show like American Idol obviously so unprepared and untrained, or even entertain the thought of having a career as a singer when they don't have a star quality voice?

Do you have Dreams of being a huge music star or an American Idol Finalist?

Or do you just want to sing as well as a star?

Does it makes sense to get professional training for a dream that big BEFORE trying to make it come true, so that you have real skill?

You know what I mean don't you?

What I'm getting at is, if you have a dream as big as becoming the next big singer, or just singing like a star, don't blow your shot by not following a concrete plan.

If you will purchase the, "Vocal Release At Home Singing Instruction," Today, you will have that concrete plan. Don't let your dreams cloud your course of action and make you jump the gun ahead of your ability. Get the skills first then the dream finds you.

STOP and ask yourself where your voice will be a year from today if you don't buy this material right now.

If you will purchase the, "Vocal Release At Home Singing Instruction Kit," today, you have an 60 days to train with it and experience the results. Anytime within 60 days of purchase you can get a refund if you decide not to use the course. If you don't think it works, that's fine. It will be your mistake, because Vocal Release is the best online singing instruction available. No other course currently available can take someone who can't sing at all and teach them how to sing great. It's written for real vocal students. It's not just an ego stroke for a vocal coach and full of praises from celebrities who had their voice before they ever saw me.

You want a voice that is effortless to use and has extreme range and power don't you?

If you will purchase the, "Vocal Release At Home Singing Kit," Today, you will receive:

The Vocal Release Singing Instruction Manual: How To Sing With Ease Power And Range. It is 347 pages packed with exact vocal instructions and insights that are easy to understand and do not require any prior knowledge of singing or music.

The 8 week Fast Track Vocal Mastery 7 Disc Set: By following the Manuals incites and performing the specialized exercises in the exact order prescribed, your voice will develop in the shortest time possible without guess work about what it is you are doing. The 8 Week Fast Track Vocal Mastery Disc Set Includes :

Disc #1 Week 1&2 Diagnosing your voice. Disc one relieves tension from bad vocal productions and puts you on the right path to a free vocal production.

Disc #2 Week 1&2 Disc two continues to relieve tension from the voice and finishes preparing the voice for training with correct technique.

Disc #3 Week 3&4 Disc three detrains any bad vocal habits you have. Singing is muscular and the muscles remember what you do. This is called muscle memory. So, by using disc three, we replace bad habits you do unconsciously with good ones. By the end of disc three, your voice will not be hampered by an over muscular vocal production that cuts off power and range.

Disc #4 At this point in the course your voice will now have a very relaxed production. But, it is still unfinished. Disc #4 takes you through how to create, focus and control resonance with a relaxed vocal production.

Disc #5 Takes you through a vocal routine that encompasses discs #1-#4, but without using scales. Disc#5 is the "No Scales Vocal Workout Routine." Disc #5 helps you to find your own unique vocal tone and develop your own style. This is a routine you can use to supercharge your voice before a performance or work on your voice at any time without the need for a CD player. This is a very specialized cycle I have developed that will improve every part of your voice. By following the cycle, you ensure that you don't overwork any part of your voice, and that you don't miss any parts of it.

Disc #6 Contains: Free Bonus Gift #1, "The Professional Song Writing Guide." This normally sells for $69.95 on it's own. It details how to write your own commercially hot songs, that are completely original. The best part is that it is written from a singer/lyricists standpoint. You can write hit songs without knowing absolutely anything about music theory. It shows you how to write a song using only lyrics and singing.

Free Bonus Gift #2. The Rhyming Dictionary. This is a Rhyming Dictionary I have the Rights to. Any time you write a lyric and happen to be stumped for just the right word to fit a rhyme, or just tickle your muse, you can use it to find a word that rhymes with just about anything.

Disc #7 All of the scales on one disc, so that you can fast forward to any specific exercise. Part of the program is not just learning how to sing, but discovering exactly what makes your voice work correctly. By the time you get to disc 7 you can use the scales on it to tailor your own personal vocal workout.

Guaranteed Results:

I have not one, but 17 guarantees that come with Vocal Release. Training with Vocal Release Easily achieves all of these in a singers voice.

Guarantee #1

I guarantee that the Vocal Release At Home Instruction kit teaches the absolute best techniques for learning to sing your best regardless of skill level.

Guarantee #2

I guarantee that even if you have never sang before in your life you can learn to sing very well using these techniques. The course does not pre suppose any knowledge of singing or music. It does not require that you already have already learned to sing a little. It is easy to understand and will matter of factly tell you what to do in no uncertain terms. There is no iffy terminology. Everything that it takes to sing great is clearly explained in way that you can reproduce it with practice.

Guarantee #3

I guarantee the quality of tone of your voice when produced using the Vocal Release Technique will be round, resonant, pleasantly forward and have a velvety quality to it.

Guarantee #4

I guarantee that singing will become as easy as humming, even for powerful and high pitches.

Guarantee #5

I guarantee that your voice will be usable for any style of music you want to sing in.

Guarantee #6

I guarantee that if you sing now and even have been singing for years with poor technique that limited your potential as a singer that you can quite easily learn to use this technique.

Guarantee #7

I guarantee that your voice will have a wide range of three octaves or more without going into falsetto or breaking.

Guarantee #8

I guarantee you will not be able to find this information in any other course.

Guarantee #10

I guarantee that singing high notes will be as easy as singing very low notes and that you will not push and strain to achieve pitch and volume.

Guarantee #11

I guarantee that you will have a profound understanding of how the voice works, that rivals that of professional vocal coaches who have studied voice for years.

Guarantee #12

I guarantee that Vocal Release is not a book just, "about singing." It will not teach by metaphor and what if. It teaches you specific things to do that have an almost instant effect on your singing.

Guarantee #13

I guarantee that The Vocal Release Technique is immediately useful. You won't see results in months or years, you will see results in weeks or even just a few days of using the techniques.

Guarantee #14

I guarantee that you will understand these techniques without the aid of an instructor. I've gone to great lengths to explain every technique and exercise in an easy to understand way. You get a combination of instruction in the form of text, audio and video. If you still aren't sure you can purchase technique calls and talk to me yourself. No one has had to use them yet, but I offer them just in case.

Guarantee #15

I guarantee that when singing with the Vocal Release Technique you will never go hoarse or lose your voice because of your vocal production. Your throat will not clench and hurt when you sing.

Guarantee #16

I guarantee that you will eliminate any breaks in your voice very quickly. Your voice will not be broken up into registers. Your voice will be one smooth instrument.

Guarantee #17

As if this wasn't enough I back all this up with a 60 day money back guarantee. After purchase you can request a refund any time at all within 60 days of your purchase. You have 60 days to review the material and become a believer. I know that within just a few days of trying the Vocal Release technique that you will start to experience everything described in the manual and so know that it works. Frankly, if you don't think they work, but didn't bother to try the exercises and or read the manual than I don't want your money. This course is for serious singers who want to sing their best. I don't want bad singers blaming me for their poor voices, when they never followed the course. Vocal Release works, Period, End Of Story.

If you will purchase the, "Vocal Release At Home Singing Instruction Kit," today you will have a vocal Training Program that increases your Range Power and ease of singing. More importantly, you will know as much about voice as any seasoned professional singer. You will be able to train your voice in any way you desire and deal with common voice problems as they arise, without having to pay expensive personal coaching fees.

As a personal vocal coach, I charge $75 dollars an hour. My personal students usually take at least a year of weekly lessons, to learn all of the information contained in this course. Costing in excess of a $4,200 value. For the cost of a little over two vocal lessons with a professional vocal coach, you can purchase the complete, "Vocal Release, At Home Singing Instruction Kit."

Free Bonus Gift #1 ($49.95 Value) The Rhyming Dictionary. For those of you who write your own songs but may be at a loss for words. You may have thought of one or two great lyrics but can't complete the verse. Simply find a word you hadn't thought of to complete your rhyme scheme and the lyric practically writes itself. .pdf format If you will purchase the, "Vocal Release At Home Singing Instruction Kit," you get this gift absolutely free.

Free Bonus Gift #2 ($69.95 Value) Professional Song Writing Guide. This is a step by step book on how to write your own original songs. You don't need to be able to read or write music, or even play an instrument. The Professional Song Writing Guide will teach you how to bring your creative side and write original songs, from a singers perspective. .pdf format If you will purchase the, "Vocal Release At Home Singing Instruction Kit," you get this gift absolutely free. After singing ability, what's the next thing record labels want to know? Can you write your own songs?

Free Bonus Gift #3 ($4,200+ Value) Personal Coaching and help with the course directly from myself, Eric Frey. If you have any questions on a particular technique, you will be able to contact me through a private student e-mail address. The course is complete and you probably won't need it, but if you do, I will happily help you just as if you were a personal student. Because, that is what I consider you. I will be available to listen to posted sound files if you need specific advice for a song or part of a song. If you will purchase the, "Vocal Release At Home Singing Instruction Kit," you get coaching tips from a professional vocal coach via e-mail for as long as you use Vocal Release.

Any level of singer can improve radically using, "The Vocal Release, At Home Singing Instruction Kit."

The Vocal Release Technique focuses on bringing out the singing voice so that it is as easy to sing in an extremely large range, with power, as it is for you to hum.

It works because it will show you very clearly how to sing using the attack of the mask. It does not impose false vocal productions like forcing from the diaphragm or belting and pushing for volume and range.

The Vocal Release Technique enhances and trains the natural qualities of a singers voice. It explains why things work and how to control them with a natural vocal production that is easy to maintain.

The sooner you will purchase the, "Vocal Release At Home Singing Instruction Kit," the sooner you can be working on your voice with techniques you know that work and have a knowledge at your disposal that will basically give you the same knowledge of any vocal instructor.

Do You Want To Hit Unbelievable High Notes?

Do You Want A Voice With Power And Loudness?

Do You Want To Be Able To Do All Of That As Easily As You Hum?

If you will purchase the, "Vocal Release At Home Singing Instruction kit," today you will know how to achieve that in your singing.

Do it now, while you're thinking about it!

Please see the FAQ page if you have questions.

Download Now $97

Instant Access To The Download Version. Start Learning To Sing Minutes From now. The Download has the same content as the shipped version.

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2010年1月13日星期三

Learn To Sing With Vocal Release